box vox

We’ve Packed Up and Moved Away

If you’ve been using the beachpackagingdesign.typepad.com address to get to Box Vox —(and if you’re reading this, you just did)—well, I’m sorry. That address will no longer work.

The other address —(boxvox.net)—is the address that still works.

A couple weeks ago we moved Box Vox from TypePad to a Wordpress blog on our own website. I thought I had thought of everything. The boxvox.net domain mapping had been changed. The RSS feed had been updated. But then it occurred to me that some people might be using the original TypePad address. If you are one of those people, I’m sorry. I forgot all about you.

The drawing above is from Lotta Luv’s 2009 “Truck Shaped Package” patent for their Ice Cream Pint shaped lip balm set. (See also: Keroggubokkusu Corn Flakes Lip Balm)

Randy Ludacer
Beach Packaging Design

Astronaut Water Revisited

A detail from cbelt123’s photo, “Astronaut water from my dad’s basement”

Back in 2009, I wrote a post about Canada Dry’s mysterious Astronaut Water that, in the 1960s, came in a space capsule shaped plastic bottle. Clearly, the product was connected to the Gemini space program, but I couldn’t understand how plain, bottled water could have been promoted in those days as a kids’ beverage—even if it was the same stuff the astronauts drank in outer space.

Recently I was contacted by John MacLean, now head of Target Flavors, who, in the 1960s had worked at Canada Dry Laboratories and was uniquely qualified to clear things up for me.

Maclean, shown in a 1965 press clipping above (holding, what I believe is, a Gemini “8” Astronaut Water bottle like the one on the left) explained to me that, despite its commerical packaging, Astronaut Water was never meant to be retail product. A small number of these bottles were distributed to the press as part of a promotional campaign to publicize Canada Dry’s important contribution to the space program.

John S. MacLean of Danbury, Conn., analytical chemist who drew up specifications for the water, holds a sample bottle of the triple distilled liquid. Not for sale to the public, Astronaut Water undergoes a thorough inspection at Greenwich Canada Dry Laboratories before it is used in space flights for drinking, reconstituting dehydrated foods and purging space capsule systems.

An unidentified Connecticut Newspaper, 1965

In contrast to today’s packaged water, which is generally promoted for its natural purity, Astronaut Water was publicized as a space-age engineering feat. Triple distilled in a platinum block... So pure that it doesn’t conduct electricity... (More of the water’s technical specs appeared in the 1966 “Press Reference Book” for Gemini Spacecraft Number Eleven, prepared by the External Relations Division, McDonnell Aircraft Corporation, on right)

The Gemini “8” bottle was an ordinary glass beverage-bottle, but for the Gemini “9” version, they really pulled out the stops, opting for the plastic, space capsule shaped bottle. Although MacLean could not confirm this, it seems likely that the matching space-capsule-shaped-bottle-shaped savings bank (below) was part of the same publicity campaign.

Once it had been made clear to me that it was journalists (and not children) who were the intended demographic for bottled Astronaut Water, I wondered if there were any articles to be found online about it...

(Astronaut Water meets the Press, after the fold...)

Super PAC Packaging

As we enjoy a new, hyperbolic political season, generously funded by large amounts of Super Political Action Committee money, I thought it might be a good time to take a look at some earlier types of Super Pac.

Not surprisingly, the name was previously associated with packaging.

SuperPac, Inc., whose logo appears at top, offers “A Tradition of Excellence in Flexographic Printing.”

SuperPAC™ (logo: above center) is a trademark of Thomasville Furniture:

Thomasville’s promise to provide our customers with the best overall kitchen, bath, and other room solutions initiated our development of SuperPAC, our patent pending packaging technique.

And SuperPac is also the name of a British company that makes a car stereo accessory. (Logo by Frankman Design)

Superpac is the new way to hold your detachable car stereo front. Designed to replace the dull black plastic case supplied with most car stereos, the Superpac offers you a stylish way to protect your cherished face-off style car stereo.

Mastey de Paris carries a SuperPac “Intensive Reconstructor Conditioner for Stressed, Damaged Hair” (above, right)

Superpac reconstructs damaged hair, rebuilding and reinforcing the hair’s protein chains. Superpac enables hair to retain its elasticity and structural integrity with newfound bounce and resilience.

Mastey de Paris

There was also a Timberland Super Pac boot. (via: Gwar Izm)

Nowadays, a candidate whose political campaign benefits from Super PAC money is not supposed to “coordinate directly” with his or her Super PAC benefactor. In practice, however, a candidate’s Super PAC is often run by a close ally—a Super PAC man.  (e.g., Jon Stewart is Steven Colbert’s “Super PAC man”)

Not to be confused with an earlier “Super Pac-Man.”

Top & center: Commodore 64 “Super Pac-Man” packaging from Moby Games; bottom photo: a General Mills Pac-Man cereal with “Super Pac-Man Marshmallows” from Jason Liebig’s flickr Photostream

Now, if we were willing to be more liberal about the spelling of the term—accepting say “PAK” as a reasonable variant (as in Political Action Kommittee?)—then there’s even more to think about.

(More, after the fold...)

Purple Cow Packaging

Vintage Holloway’s Purple Cow candy wrapper from Jason LieBig’s Flickr Photostream; William’s Purple Cow Lager can from The Beer Can Guide; Milka Chocolate’s purple cow shaped folding carton (via: Packaging of the World); a vintage “purple cow” fruit label for Washington apples for sale on eBay ($250)

Based on an 1895 poem by Gelett Burgess, a “purple cow” generally meant something “out of the ordinary” or something you don’t see every day. As depicted in these vintage packages, each with its whimsical cow illustration, the concept was fine.

I’m not so accepting of the new over-arching definition of “purple cow” as something remarkably innovative, as set forth in Seth Godin’s book, Purple Cow: Transform Your Business by Being Remarkable. Because of this book, some people are now calling any ground-breaking, category disrupting product a “purple cow.”

For some reason, I find this new meaning a loathsome thing. To me, the name “purple cow” diminishes the hard work of innovation, making it sound like something merely capricous.

I doubt Steve Jobs would ever have given one of Apple’s products as insipid a name as “purple cow” and yet all over the place there are people now saying that the iPad and the iPhone are “purple cows.”

You need look no further than the scapbooking craft company The Purple Cows to understand the uncool connotations that this name carries.

Randy Ludacer
Beach Packaging Design

NOS Consumer Confusion

I’d seen “NOS” energy drink around for a while, but aside from noticing that the logo was sort of clunky and spelled “son” if you looked at it upside down, I didn’t think too much about it.

I hadn’t realized it was named after a leading brand of nitrous oxide. Or that “NOS” stands for “Nitrous Oxide Systems.”

Considering all the attention paid to the negative influence of energy drink brands with names like “Cocaine” and “Hemp,” I was surprised not to have known about a “Nitrous Oxide” energy drink.

NOS even put out a version of their bottle, designed to resemble a Nitrous Oxide Systems tank, but it’s more about caffeinated racing cars, than huffing inhalants, apparently.

NOS 22oz PET was awarded BevNET’s Best of 2007 for Packaging Innovation...

“The authentic package design of NOS 22oz PET was inspired by the actual nitrous oxide canister, developed by Holley Performance Products, which prompted the design and use of ‘valve’ over caps,” said Bill Meissner, Chief Marketing Officer at FUZE Beverages.

The packaging is instantly recognizable and the association with Holley’s Nitrous Oxide canisters has been well received by customers, vaulting NOS to No. 7 in the energy drink category.

Packaging Europe

With such similar looking packages in different product categories, is there any danger of consumer confusion, a la Skinny & Sweet?

(More confusion, after the fold...)

Delsym Package as Remote Control Unit

CPG as RCU. Delsym’s current advertising campaign imagines their product packaging as a television remote control for muting distracting family cough symptoms. (Detail of a print ad by Roy Tuck, on left)

(The print ad in its entirety, after the fold...)

Washington I. Tuttle’s Collapsible Box

In addition to the “roly poly” Tindeco tobacco tins, another of Washington I. Tuttle’s patented package designs, was his 1908 “Collapsible Box.”

Similar to the idea that the “roly poly” tobacco tins could be used to store brownies, this package was meant to be reused as a lunch box:

“...this box is primarily intended, although not restricted, for use as an original package in which tobacco is sold, the box, after the contents originally placed therein have been used, having been found very serviceable as an extension lunch box or kit”

(More of Tuttle’s patent drawings, after the fold...)

Roly Poly Tindeco Tobacco Tins

Photos via: Dan Morphy Auctions

In last month’s post about roly poly Santa and clown containers, there was one photo of a Santa-shaped tobacco tin. “Tindeco” was the company that originally came out with this type of anthropomorphic package design:

Around 1912 the Tin Decorating Company, aka Tindeco, produced round colorful tins to hold tobacco for the American Tobacco Company. American Tobacco controlled Tindeco, as well as the four brands of tobacco sold in these tins. Each container held about 1 lb of tobacco with the brand names Dixie Queen, Mayo, Red Indian and U.S. Marine. Apparently the company suggested that the tins be used as brownie containers after the tobacco was used and designed them accordingly.

The six original tins were Satisfied Customer (reproduction called Businessman), Storekeeper, Singing Waiter (reproduction called Singer), Mammy, Dutchman (reproduction called Cowboy), and Scotland Yard. According to "The Tin Can Book", the Satisfied Customer, Dutchman and Scotland Yard are the hardest to find. But for those collectors that want complete sets, six tins would not do it! A complete set would be eighteen tins. Mayo and Dixie Queen tobacco was packaged in all six designs and while Red Indian and U.S. Marine were only packaged in three different tins. One way these tins were identified was by little packages of tobacco shown on some of the packages. E.g., Mammy had a tiny tin in her front pocket.

Barbara Crews, Roly Poly Tobacco Tins, 2002

Not exactly the Droste-effect, but when anthropomorphic packages are shown handling packages that contain the same product that they, themselves, contain, the effect is similar. Even when these characters are not shown with packaging in their pockets, they all have tobacco packages behind their backs. (back packs)

On left: a close up of cross-promotional behind-the-back package illustration; on left a vintage Mayo’s Tobacco pack of the type depicted

Below the “Scotland Yard” character with “Dixie Queen” tobacco behind his back. (Lower right corner shows the vintage tobacco pack depicted.)

The “Singing Waiter” character also promoted “Dixie Queen” in an alternate package.

On left: drawing from Washington I. Tuttle’s package design patent; on right: Charles Weise’s patented “shopkeeper” design (both patents assigned to American Tobacco Company)

(The “Mammy” character and the roly poly tobacco tin design patents after the fold...)

Hourglass Bottles

On left: Louise Besseling’s “Moment Wine” concept; on right: “Khronos Wine” by Artur Janz, André Cardoso, Lucas Dranka, and William de lima

Many bottles are described as “hourglass shaped” but only a few actually pertain to the archaic time-keeping method.

On left: an hourglass-shaped Absinth bottle; on right: Inez Kochanowicz’s “Water Hour-Glass”

And a few designers have also proposed making hourglasses from discarded bottles...

On left: Danny Seo’s hourglasses made from Method bottles; on right: Recycline’s soda bottle hourglass

Randy Ludacer
Beach Packaging Design

Camouflage Package Design Continued

Lest anyone imagine that camouflage patterns were confined only to beverage packaging, here are some recent examples of camouflage package design, in general.

Because of its star logo, Amour Star seems ready-made for a patriotic camouflage treatment, although it’s debatable how American a “Vienna Sausage” can ever be. (Designed by Bob Oliva)

Jiffy Pop, too, has undergone camouflage treatment. (Via: Lester Of Puppets’s Flickr Photostream)

“Powderflage” powder concealer comes in a camouflage canister. (Note how its camo pattern is made of butterflies.)

Srixon’s camouflaged USO golf balls pack, we’ve mentioned before.

Yoder’s canned bacon comes in a camouflage patterned can.

“A Bathing Ape” (aka: BAPE) has for a while featured camouflage patterns in its branding.

And Huggie’s diapers have also supported our troops through camouflage patterning.

Also: camouflage candy...

and camouflage peanuts, for some reason.

(and one more example, after the fold...)

Camouflage Pattern Beverage Branding

On left: Camouflage pattern Miller beer can (from: The Sparkler); on right: Busch beer’s autumnal camouflage (from: 2CoolFishing message board)

Originally developed as a functional pattern (as opposed to a decorative pattern) camouflage might seem an odd choice for product packaging since the pattern is meant to conceal.

Usually product packages are designed to attract attention so it’s striking when a package is designed to disappear into the background. Of course, the environment of store shelves is quite different from outdoor environments. So what blends into the background in the desert sands might actually be quite conspicuous at the grocery store. And vice versa.

Probably the point of using camo in this context has more to do with masculine connotations of hunting and military service than in concealment.

Miller Brewing had this to says about it’s limited edition camouflage packaging:

“Miller High Life is again honoring its century-old connection with the outdoors by introducing limited-edition, camouflaged packaging and cans of Miller High Life and Miller High Life Light.”

Photo, above right, from Wishful Slacker

2009 Vault Citrus camouflage can from ebid; photo on right from Eating in Translation

It should also be noted that there are products available for camouflaging beer cans...

(One more thing about camouflage beverage branding...)

Camouflage Cans

Definition of “Camouflage Can”...

A can produced in olive green for the U.S. military from 1944-45. It used to be thought that the cans were colored olive green as camouflage, but it is now generally believed that they were painted green simply because the US Army had almost everything it purchased painted that color. Most camouflage cans are rare and are highly desirable to collectors. Many were shipped to troops overseas and so cannot be found in the US easily.

from Rusty Can

(Also called “olive drab” or “OD” cans.)

Randy Ludacer
Beach Packaging Design

Schweppes Anthro-Pack Christmas

I’ve been cataloging appearances of anthropomorphic packages in advertising for some time now. I have little evidence that anyone else cares about this, but I’m not shy or skittish about beating a dead horse... These examples are part of the 1950s—60s Schweppes campaign called “Schweppshire.”

Meant as a humorous reference to Christmas shopping days, the headline for these ads is “How many Schwepping Days To Christmas?” To my ears, “Schwepping” sounds a lot closer to “schlepping” than “shopping.” But “schlepping” is also a pretty apt description of what the shopping experience can be like at this time of year.

Most of these ads were illustrated by  George Him, except for the one with Santa conducting the singing bottles, which was drawn by E.R. Bartelt.

(The ads, in the entirety, after the fold...)

A “Penny Machine” for Christmas

Photo via: The National Museum of Play

Above: something I once wanted and didn’t get. Anyone who grew up celebrating a consumer Christmas has one of these. Not necessarily this toy in particular, but something they wanted for Christmas—something they asked Santa Claus for—and did not receive. The “Penny Machine” is the one that I remember.

I had forgotten that it was called a Coney Island Penny Machine, I’m pretty sure it was just a “Penny Machine” that I told my mother was my number 1 Christmas wish. Clearly, the Remco television commercial below was what sold me on this product.

I must have been a pretty avaristic child to want a toy that endlessly dispensed other toys. Sort of like the trick of using your wish to ask for more wishes.

I hadn’t remembered the commercial being so olde-timey. I don’t think I would have identified much with the boy in the commercial, although I totally identify with the boy on the box—(who looks just me at that age). Perhaps it was the fantasy of impressing a girl with my skill in winning prizes that explains this commercial’s effect on me. Never mind that the carnival attraction, in this case, would have been located in my toy box.

Whatever desires it unleashed in me, my mother didn’t seem as impressed with this product or its commerical. Had it been a birthday request, I might have worked harder to persuade her. With Christmas, however, I figured it didn’t much matter what she thought about it. As long as I was right with Santa, it needn’t concern her. My record of good behavior stood for itself and made me confident that the Remco prize-dispensing machine would soon be my prized possession.

I know this sounds a lot like Ralphie and the Red Ryder BB gun in “A Christmas Story” which is embarrassing, but remember: in that movie [spoiler alert] he ultimately got what he asked for. The significance of not getting what you ask for is different.

Not that I’m whining about it now or that I had gotten everything I ever wanted up until that Christmas. But it’s the first thing that I can remember specifically asking Santa for, that I later noticed I didn’t get. Which raised certain existential questions...

Randy Ludacer
Beach Packaging Design

Mr. Sprinkles Package Design Makeover

An exception to the general waning of CPG clown packaging:

“Mr. Sprinkles,” (whose weeble-like bottle won the 2009 “Gold” award from the National Association of Container Distributors) has recently been redesigned.

Originally the bottle was more closely akin to inflatable punching bag clowns (see inset right) but, while the overall effect of the new package design is less of a fully-embodied, anthropomorphic pack, the new clown illustration is now more identifiable and less threatening. The product still shows through the window into the clown’s sprinkle-filled belly.

The illustration style looks familiar. (Maybe someone knows whose work this is?)

Photo above left comes from the orginal “Mr. Spinkles” trademark filing. The photo above right is from Bakerella.

(See also: Gömböc Bottle)

Randy Ludacer
Beach Packaging Design

Clown Cereal

Clown cereal boxes (Kellogg’s, General Mills & Post) were, I think, all from Dan Goodsell’s Flickr Photostream

My early childhood was spent in Sarasota, Florida, home of the Ringling Bros. and Barnum & Bailey Clown College.

While clowns have been culturally waning for some time now, in those days, there was a show called “Circus Boy” on television (starring a young Micky Dolenz who grew up to become the Monkee‘s drummer) and there were lots of circus-themed packages at the grocery store. Not yet scary, clowns were still considered a good way to market children’s cereals.

Why the sudden interest in clowns, you ask?

(Asked and answered, after the fold...)

Ron English: Popaganda Shopdropping

Ron English is the artist who created the zipper/banana album cover mash-up that we wrote about last January.

More recently he’s been doing some cereal box package design (i.e.: art) which he’s been shopdropping into supermarkets. These “popaganda” food repacks are subversive in the same dumb sort of way that Wacky Packages were: creating momentary consumer confusion and adding a satiric, negative spin to trademarked food brands.

Some commentators have taken the cereal series as nutritional agitprop in opposition of childhood obesity. I’m not sure that English’s agenda is so politically correct, but I could be wrong.

The fun part of shopdropping, however, is when consumers puzzle over the aberrant branding messages and, in some cases, blithely purchase them.

Part of the reason I prefer not think that English’s messaging is sincerely literal is the “Sugar Diabetic Bear” below, which in my (diabetic) view is amusing, but not entirly accurate. Yes, Type 2 diabetes can be brought on by obesity, but what about Type 1 diabetes? Eating sugar certainly didn’t cause my diabetes. (See: Diabetes Myths)

(One more thing about Ron English and diabetes, after the fold...)

Bottles with Embroidered Shirt Labels

Another example of cross-category, clothing-related package design: Eau de Lacoste “Poloshirt in a Fragrance” bottles with their alligator shirt embem. Note the fabric texture on the sides of the bottle. (See also: Package as Clothing)

My earliest memory of an embroidered alligator emblem was when my mother in the late 1950s or early 1960s created some counterfeit Lacoste shirts for my grandfather, my father, me & my little brother. This was motivated more by the alligator than the brand status, I think, since we lived in south Florida, not so far from the Everglades. (See also: Crocodile Boxes—Alligator Bags)

Still, my mother must have been aware that the Lacaoste alligator emblem was a self-proclaimed “status symbol.”

René Lacoste founded La Chemise Lacoste in 1933 with André Gillier, the owner and president of the largest French knitwear manufacturing firm at the time. They began to produce the revolutionary tennis shirt Lacoste had designed and worn on the tennis courts with the crocodile logo embroidered on the chest. Although the company claims this as the first example of a brand name appearing on the outside of an article of clothing, the “Jantzen girl” logo appeared on the outside of Jantzen Knitting Mills’ swimsuits as early as 1921. In addition to tennis shirts, Lacoste produced shirts for golf and sailing. In 1951, the company began to expand as it branched from “tennis white” and introduced color shirts. In 1952, the shirts were exported to the United States and advertised as “the status symbol of the competent sportsman,” influencing the clothing choices of the upper-class. Lacoste was sold at Brooks Brothers until the late 1960’s. It is still one of the most popular brands in the United States, sporting the “preppy wardrobe”.

from Wikipedia’s entry on history of Lacoste

Invariably, when packaging serves as a metaphor for clothing, a consumer naturally tends to anthopomorphize and even identify with the product contained.

(The advertising, after the fold...)

Laundry Label Bottles

A bit of trompe l’oeil, cross-category package design...

Stocks Taylor Benson’s shrink sleeve bottle labels for Morrisons laundry liquids (on left) emulate the standard “care instructions” woven label for garments (on right). Winner of a 2011 Pentaward.

(See also: Trompe l’Oeil Price Tags)

Randy Ludacer
Beach Packaging Design

Wooden Bottle Caps

Top, left: Kayla Langhans used wooden caps for her “Find” organic vodka design; top, right: a wooden cap for Espen Hansen’s A.O. Vinje GIN bottle (its box was featured in yesterday’s post); 2nd row, left: “Influence by Fruits & Passion” bottles with wooden caps, designed by Bertuch; 2nd row, center: Elizabeth Linde’s “Vertical for Men”; 2nd row, right: Le Cherche Midi’s bottle with wood cap (via: Lovely Package); 3rd row, left & center: Nasomatto’s fragrance bottles by Alessandro Gualtieri use a variety of wooden caps; 3rd row, right: Every Man Jack’s bottles feature faux wooden caps (via: Sustainable Is Good); 4th row, left: Moag Bailie’s Bio-Oraganic Almay bottles featured wooden caps; 5th row, left: Xtabentun Honey Liqueur bottle’s wooden cap; 5th row, right: wooden cap of TGTL’s olive oil bottle by NTGJ; bottom row: Casper Holden’s “Rawganical”

Following up on yesterday’s post, wooden bottle caps appear to be “trending” in “spirits” packaging and especially in package design for fragrances.

(One more photo, after the fold...)