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Bottle Tables

Left: Harry Allen’s “Cocktail Table.”; Right: Nathan Tobiason’s “Wine Table.”

Above: Gregor Stoltz’s collaborative PET recycling project table.

Above: Don Wine’s “Port Wine Table.”

Randy Ludacer
Beach Packaging Design

Purple Cow Packaging

Vintage Holloway’s Purple Cow candy wrapper from Jason LieBig’s Flickr Photostream; William’s Purple Cow Lager can from The Beer Can Guide; Milka Chocolate’s purple cow shaped folding carton (via: Packaging of the World); a vintage “purple cow” fruit label for Washington apples for sale on eBay ($250)

Based on an 1895 poem by Gelett Burgess, a “purple cow” generally meant something “out of the ordinary” or something you don’t see every day. As depicted in these vintage packages, each with its whimsical cow illustration, the concept was fine.

I’m not so accepting of the new over-arching definition of “purple cow” as something remarkably innovative, as set forth in Seth Godin’s book, Purple Cow: Transform Your Business by Being Remarkable. Because of this book, some people are now calling any ground-breaking, category disrupting product a “purple cow.”

For some reason, I find this new meaning a loathsome thing. To me, the name “purple cow” diminishes the hard work of innovation, making it sound like something merely capricous.

I doubt Steve Jobs would ever have given one of Apple’s products as insipid a name as “purple cow” and yet all over the place there are people now saying that the iPad and the iPhone are “purple cows.”

You need look no further than the scapbooking craft company The Purple Cows to understand the uncool connotations that this name carries.

Randy Ludacer
Beach Packaging Design

TV Remote Bottle Openers

These four examples explored below...

1. The Clicker: a universal remote control with an integrated bottle opener feature, invented by David Dignam. ($24.99 with free shipping)

As with any good idea, the Clicker was inspired by hanging out with friends and drinking a few beers... in Wisconsin. David Dignam, the inventor of the Clicker, was traveling back home to New York from a long Thanksgiving weekend hanging with the guys in a small town in western Wisconsin (hometown to one of the guys). The idea hit him, “why not combine a universal remote control and bottle opener, and have one less thing to have to look for in your own home”. Thus, the Clicker was born, the ideal union of two of the most important items in the home: the remote control and bottle opener (for some people)

2. Magnetic Remote Control Shaped Bottle Opener: a sort of “fridge magnet” bottle opener that happens to be shaped like a TV remote. Does not appear to actually change channels. Buttons include “OK” and “Hello.” ($1.49)

“This bottle opener is designed with like real remote control appearance and it is quite absorbing. You may think it is a remote control when they take a glance. But it is a bottle opener in fact.”

3. The “2006 World Cup Party Edition” of the Philips Universal Remote Control. (Not sure if this is still available, but at one time it cost $12.50)

“With this special edition remote control you’ll be more than ready for the 2006 World Cup. It even comes with a bottle opener, scorecard and extra battery, so you won’t miss a moment of the action.”

4. The Pop Pops Remote Control Bottle Opener by Russ: a faux remote control, but a real bottle opener, packaged in a bottle-shaped blister pack. ($6.99)

“This cleverly designed remote control themed bottle opener is what you need to get the drinks and the conversation flowing! Hand painted, along with very detailed accents and a metal opener add style and functionality to this classic item.”

(See also: bottle-shaped bottle openers)

Randy Ludacer
Beach Packaging Design

Hourglass Bottles

On left: Louise Besseling’s “Moment Wine” concept; on right: “Khronos Wine” by Artur Janz, André Cardoso, Lucas Dranka, and William de lima

Many bottles are described as “hourglass shaped” but only a few actually pertain to the archaic time-keeping method.

On left: an hourglass-shaped Absinth bottle; on right: Inez Kochanowicz’s “Water Hour-Glass”

And a few designers have also proposed making hourglasses from discarded bottles...

On left: Danny Seo’s hourglasses made from Method bottles; on right: Recycline’s soda bottle hourglass

Randy Ludacer
Beach Packaging Design

Cutty Sark Pack Strap (Tumpline Demo)

This past Summer I picked up a self-published booklet entitled “Tumpline and Paddle — Five Weeks in Quebec” at a church-run thrift shop in southern NJ.

Written and printed in 1970 by John Rotch (at The Cabinet Press, Milford, N.H.) it documents a “wilderness canoe trip” and was apparently published as part of a school assignment.

Initially, I bought the booklet because I liked these photographs of the author using a vintage Cutty Sark Whisky carton to demonstrate the proper use of the “tumpline.”

One of the most important pieces of equipment on our trip was the tumpline...

Webster’s New International Dictionary says that “tumpline” is “of Algonquin; origin; Massachuset tempan, a pack strap, Abenaki madumbi. A kind of sling formed by a strap slung over the forehead or chest and used by one carrying a pack on his back...”

John Rotch, Tumpline and Paddle

But aside from worldly product placement of a name-brand Scotch whisky box serving as proxy for the traditional wooden “wanigan” — there’s also something poetically fitting about Rotch’s carefully roped rigging around a box that features Cutty Sark’s full-rigged sailing ship logo.

(Rotch demonstrates the tumpline in use, after the fold...)

Camouflage Pattern Beverage Branding

On left: Camouflage pattern Miller beer can (from: The Sparkler); on right: Busch beer’s autumnal camouflage (from: 2CoolFishing message board)

Originally developed as a functional pattern (as opposed to a decorative pattern) camouflage might seem an odd choice for product packaging since the pattern is meant to conceal.

Usually product packages are designed to attract attention so it’s striking when a package is designed to disappear into the background. Of course, the environment of store shelves is quite different from outdoor environments. So what blends into the background in the desert sands might actually be quite conspicuous at the grocery store. And vice versa.

Probably the point of using camo in this context has more to do with masculine connotations of hunting and military service than in concealment.

Miller Brewing had this to says about it’s limited edition camouflage packaging:

“Miller High Life is again honoring its century-old connection with the outdoors by introducing limited-edition, camouflaged packaging and cans of Miller High Life and Miller High Life Light.”

Photo, above right, from Wishful Slacker

2009 Vault Citrus camouflage can from ebid; photo on right from Eating in Translation

It should also be noted that there are products available for camouflaging beer cans...

(One more thing about camouflage beverage branding...)

Camouflage Cans

Definition of “Camouflage Can”...

A can produced in olive green for the U.S. military from 1944-45. It used to be thought that the cans were colored olive green as camouflage, but it is now generally believed that they were painted green simply because the US Army had almost everything it purchased painted that color. Most camouflage cans are rare and are highly desirable to collectors. Many were shipped to troops overseas and so cannot be found in the US easily.

from Rusty Can

(Also called “olive drab” or “OD” cans.)

Randy Ludacer
Beach Packaging Design

Schweppes Anthro-Pack Christmas

I’ve been cataloging appearances of anthropomorphic packages in advertising for some time now. I have little evidence that anyone else cares about this, but I’m not shy or skittish about beating a dead horse... These examples are part of the 1950s—60s Schweppes campaign called “Schweppshire.”

Meant as a humorous reference to Christmas shopping days, the headline for these ads is “How many Schwepping Days To Christmas?” To my ears, “Schwepping” sounds a lot closer to “schlepping” than “shopping.” But “schlepping” is also a pretty apt description of what the shopping experience can be like at this time of year.

Most of these ads were illustrated by  George Him, except for the one with Santa conducting the singing bottles, which was drawn by E.R. Bartelt.

(The ads, in the entirety, after the fold...)

Dan Witz: Bar Shrine Paintings

“Shrine” (I’ve also seen this painting titled as “Bar”) 2006, 68x40 oil and mixed media on canvas

Dan Witz (mentioned in yesterday’s post) was one of several roommates that I shared a low-ceilinged, South Street Seaport loft with in the late 1970s.

I like his paintings of liquor bottles. The one above from 2006 seems to have two different titles: “Bar” and “Shrine.” His later liquor bottle paintings from 2010 seem to have combined these two titles into “Bar Shrine.”

I can find nothing online to suggest that it’s intentional, but the painting above looks like a skull to me. A subliminal vanitas symbol for a splendid array of liquor choices? (Death-as-bartender: “Name your poison!”)

Bar Shrine #2 Triptych, 2010, 56" x 84" oil and digital media on canvas

(One more “Bar Shrine” painting, after the fold...)

Wooden Bottle Caps

Top, left: Kayla Langhans used wooden caps for her “Find” organic vodka design; top, right: a wooden cap for Espen Hansen’s A.O. Vinje GIN bottle (its box was featured in yesterday’s post); 2nd row, left: “Influence by Fruits & Passion” bottles with wooden caps, designed by Bertuch; 2nd row, center: Elizabeth Linde’s “Vertical for Men”; 2nd row, right: Le Cherche Midi’s bottle with wood cap (via: Lovely Package); 3rd row, left & center: Nasomatto’s fragrance bottles by Alessandro Gualtieri use a variety of wooden caps; 3rd row, right: Every Man Jack’s bottles feature faux wooden caps (via: Sustainable Is Good); 4th row, left: Moag Bailie’s Bio-Oraganic Almay bottles featured wooden caps; 5th row, left: Xtabentun Honey Liqueur bottle’s wooden cap; 5th row, right: wooden cap of TGTL’s olive oil bottle by NTGJ; bottom row: Casper Holden’s “Rawganical”

Following up on yesterday’s post, wooden bottle caps appear to be “trending” in “spirits” packaging and especially in package design for fragrances.

(One more photo, after the fold...)

Wooden Packaging

Top row: Anicka Yi and Maggie Peng’s cedar-encased fragrance bottles; 2nd row, left: Andrée Rouette’s ABCD veneer-covered maple syrup cans (via Packaging UQAM); 2nd row, right:  Espen Hansen’s veneer-covered AO Vinje gin box; 3rd row, left: Society27’s wooden shoebox; 3rd row, right & below: Léo Breton-Allaire’s spruce gum chewing gum concept (via: Packaging UQAM); 4th row left & below right: Maude Bussières’s detachable wooden pencils concept (via Packaging UQAM); 5th row, left: Debowa oak-encased vodka bottles; bottom row: Gerlinde Gruber’s wooden, puzzle-like jewelry box

Packages made of wood (See also: Wood Framed Bottles)

Randy Ludacer
Beach Packaging Design

Beach Glass Bottles

Two kinds:

1. Bottles with beach glass on the inside like the “Beach Glass Mix in an Old Milk Bottle” on the left from Rocknotes’ Etsy store. ($18.95)

2. Bottles with beach glass on the outside like the 2006 “Beach Glass 40 of Olde E” on the right by Mike Leavitt with beach glass glued to an Olde English 800 malt liquor bottle. (The label is painted on.)

(See also: 4 Cardboard Shoemakers and Beach Glass + Plastic Soup)

Randy Ludacer
Beach Packaging Design

Turkey Bottle

I was going to continue with “shoe week” but then I remembered that today was Thanksgiving so I figured I ought to do something holiday-related...

Happy Thanksgiving.

I found his vintage turkey bottle on GoAntiques’ website. I’m guessing most turkey-shaped figural bottles are shaped to look like live turkeys rather than roasted ones. I think this one must be unusual. I’ll go even further out on a limb and suppose that this rare bottle may have once contained something like Wild Turkey bourbon. I looks rather flask-like to me. (See also: Pig Bottles)

According to their description, this bottle is circa 1940s. In the photo above it’s marked as costing $275, but it appears to have actually sold for a hundred dollars less.

The buyer was probably thankful — the seller, perhaps, less so.

Randy Ludacer
Beach Packaging Design

 

Shoe Bottles

Two shoe-shaped bottles from Ideal Industrial Limited: the “Sports Shoe Shape Glass Bottle With Cork (SHB001)” and the “Glass Bottle in Female Shoe Shape (ISB018).”

These two bottles remind me of Glenn O’Brien’s observations about men dressing too casually on dates with dressed-up women. (See: How to be a Man.)  Most shoe-shaped bottles are either men’s sneakers or women’s high heel shoes. What sort of products would come in figural bottles like these?

High-heel shoe-shaped bottles have sometimes been used to contain liqueurs and perfumes and liquid soap might give us cause to look at “women’s pumps” from a whole new angle...

Marks and Spencer used the exact same ISB018 “female shoe shaped” bottle for their 2008 chocolate dairy milk liqueur, below.  Although, in their case, they used a stopper rather than a twist off cap and there’s the added hangtag and ribbon. (via: Cool Buzz)

I was thinking that liquid shoe polish would be a good product to package in a shoe-shaped bottle. For some reason, most vintage, shoe-shaped bottles contained ink, although I did find one shoe-shaped bottle that supposedly contained shoe polish. (the “Rockingham” bottle shown below)

 

(For more about shoe-shaped glass bottles see: Collectors Weekly.)

Above left: the vintage “Rockingham” shoe polish bottle (via: LiveAuctioneers); middle: an Anna Dello Russo shoe-shaped purfume bottle (via: PoisePolish); on right: a shoe bottle hookah via: SuperPiece (see also: Coke Bottle Water Pipe)

As for the sneaker-shaped bottle, Avon seems to be the only company that got into those in big way. Not surprising, since graceless, figural bottles seem to be their specialty.

(Avon sneaker-shaped bottles, after the fold...)

Anthropomorphic Light Beer

Another anthropomorphized package: the Bud Light Beer bottle costume from the 2009 “Bud Light Golden Wheat” campaign. This spot is entitled “Persistence.” (via: Anonymous Content)

See also: Packaging Costumes

Randy Ludacer
Beach Packaging Design

Food Stamp Beer Photos

While looking for Ballantine XXX Ale bottles for a post last month, I found the illicit-looking photo in the upper right corner.

From a series of photographs by Brayden Olson for Vice Magazine. I like the paparazzi flash and intestinal-pink^* backgrounds of these photos, but I have some misgivings about the article it illustrates. Apparently it’s possible at certain bodegas in NYC to get around the regulations prohibiting the use of food stamps to purchase alcoholic beverages.

“... since receipts at most bodegas in Brooklyn aren’t itemized and products in the store are never scanned (most likely because they are thieves), there is no way to tell what you actually bought.”

“Food Stamp Beer Reviews” Vice

I cringe to think of this article being used to punch more holes in the already tenuous social safety net. With unemployment so high, the demographic of food stamp recipients has clearly changed.

Food policy experts and human resource administrators are quick to point out that the overwhelming majority of the record 38 million Americans now using food stamps are their traditional recipients: the working poor, the elderly and single parents on welfare.

But they also note that recent changes made to the program as part of last year’s stimulus package, which relaxed the restrictions on able-bodied adults without dependents to collect food stamps, have made some young singles around the country eligible for the first time.

Hipsters on food stamps, by Jennifer Bleyer
Salon, March 15, 2010

If “unemployment” can somehow still be viewed as a character defect in the minds of those who have recently characterized the Occupy Wall Street protesters as “unemployed, uneducated and uninformed” — this bodega beer thing may eventually wind up on Fox News as a way of discrediting these new, younger food stamp recipients and food assistance programs in general.

Randy Ludacer
Beach Packaging Design

A footnoted digression: *The color “intensinal pink” is not my own invention. My father coined this term to describe the color of my grandmother’s house on Long Island.

Oxydol and Opal

On left is the early (earliest?) package design for Oxydol soap powder, introduced in 1914 by the William Waltke Soap Company. On right is the candy packaging for Opal Pastilles, designed in 1946 by Atli Már Árnason, one of the founders FÍT, the Icelandic Design Center. (via: CoolHunting)

Left: a collection of vintage Oxydol boxes (photo from iCollector.com); on right: varieties of Opal with color as differentiator

A later version of Oxydol was designed by Donald Deskey in 1959 (who also designed the Tide box in 1947) but the design of the early Oxydol box (with the concentric circles) appears to be unknown. Which is to say, that I can find no mention online, so the designer is unknown to me, at least.)

The Opal package with the multi-colored concentric bands contains a fruit-flavored assortment.

(Television commercial for both products and one more thing, after the fold...)

Ballantine Miscellany

1. A print proof of a Ballantine 40 oz. Ale label, circa 1987 (via)

2. Not a Jasper Johns sculpture. (Just two views of a collectable vintage can.)

3. Above: Three large sizes of the ale with the three-ring logo and three Xs. 

4. An animated gif of a rotating carton of Ballantine XXX Ale. (on left, via)

5. An embossed tin sign with Ballantine
Ale bottle “faux” bursting through background on right. (See also: History of the Graphic Burst)

6. We recently made rueful mention of “American exceptionalism.” Below: the beer version of that idea—a vintage ad that takes a patriotic pride in the endless hunt for “something better.”

...this hunt by energetic America for something better doesn’t stop with the big things... Among the many “better things,” and one not to be overlooked, is a moderate beverage, an ale in fact, that has been discovered and approved by many. So many that, in the land where the question “Is it better?” is on so many tongues, it has become America’s largest selling ale.

(via)

(One more thing after the fold...)

Beer Can Collection Dumpster(s)

While searching for a photo of a Champagne Velvet beer can, I happened to find the Polaroid on the right from Sean Tubridy’s Flickr Photostream.

Turbidy is founder of Minneapolis-based graphic design firm, Blue Over Blue. The Champagne Velvet can (from his “Vintage Beer Cans on Polaroid” set) originally came from a huge beer can collection that had been thrown away:

.... these belonged to a guy known as “The Beer Can Man”. He had a place in our building and collected these along with bar signs and all sorts of other stuff. He died a while back and these are being hauled away. They can’t be recycled for the deposit because they are tin and steel.

By the end there were 12 trailer-size dumpsters of cans!

–Sean Turbidy, 2006

Turbidy also photographed some of the container-filled containers. Quite possibly a collector’s worst nightmare: you die and a lifetime of stuff that you valued gets tossed into one or more dumpsters.

Note how many of the cans appear to have intact pull-tab tops. I suspect this is because the cans were opened at the bottom with a church key can-opener—(a standard practice for beer can collectors).

Another Minneapolis-based firm, Studio on Fire, also has an extensive beer can collection. (below) Maybe some of the cans from “the Beer Can Man” dumpsters wound up in their collection. That would be nice.

(See also: A Collection of Cans)

Randy Ludacer
Beach Packaging Design

Stella Artois & Champagne Velvet(Beer Can as Drinking Glass)

A can of Stella Artois Premium Lager Beer as compared to a vintage can of Champagne Velvet Beer.

Both feature large silhouettes of stemware. Stella Artois’s explanation is that “the new can celebrates the chalice.”

The glass that appeared on the Champagne Velvet can (more of a wine glass than a Champagne glass) was accompanied by the tagline “...for the good life.”

Most of the time, when a glass was shown on early beer labels, it was like a “serving suggestion.” Consumers were expected to pour the beer from its storage container into a drinking glass. With single portion beer containers, however, Americans in particular found it more convenient and increasingly acceptable to drink beer directly from the container.

Despite its Belgian origins and the fact that they will also sell you branded glassware —“Fine Belgian beer tastes even better when you enjoy it from gracefully curved Stella Artois Chalice-style glassware”— I believe that what the “Chalice Can” really says is that the can is equivalent to a glass so you don’t have to bother with a real glass.

(For more about drinking from the package, see also: Branding in Your Home)

Randy Ludacer
Beach Packaging Design